Monday, September 29, 2008

Hamlet Character Study

Hamlet: Haunted, Hunting, Hurting

Upon my words be steady and cautious and heed what I shall tell you, for should you misconstrue them, my honor will be afflicted by those cursed lies and misrepresentations that abound in the tales of our time. Thirty years ago, my mother lay drenched with sweat, forcing out the product of her love with the great Dane, Hamlet. As my eyes first saw light, I was greeted by a sole parent’s visage, a pattern which would imprint itself onto the entirety of my life; for as my mother birthed me in her delicate and fragile state, my own father in the absence of his only heir’s birth had ventured off to take up arms against the old king Fortinbras. In victorious return he celebrated my birth with that of his triumph, together as one with no respect for my own individual achievement of parturition.

He was a goodly king though: kind and gentle with me when he would have it so. I was raised with a steady hand and conformed to a prescribed regiment of learning, practice, and religious respect for penitence. As my father o’ersaw the functions of the kingdom with a wise and judicious manner I was explicated on all matters related to life. That is not to say that I did not jest as young ones often do. At my side throughout my youth was my good friend Horatio – the balance to my thirsty inquisitive and troublesome nature. The court clown Yorick watched over me for a portion of time, carrying me on his back often and perforating my otherwise rigid and structured youth. Yorick put on airs of the most amusing personages, often imitating others and delivering insults in the guise of niceties. From Yorick I acquired the art of putting on acts and impregnating my speech with witty retort and scalding remarks. At a young age I learned that words are words, but could be more than words would the speaker warrant so.

My mother seemed of’t to dwell on my upbringing, as my father busied himself in the matters of the court. Though, when together, my mother showed the signs of lusty passion and my father the throws of wooéd ecstasy as if they were young spring fondlers all over again. However, this was habitually brief, and the occasions grew far and fewer in the interval as I ripened on the vine of succession. Had I but known the fallacies laid before my own eyes during my upbringing, less harshly shattered wouldst my impression of my mother be; for as she sat upon the throne of Denmark on my father’s right-hand side, her wantonness for affection crept like a weasel behind her sovereign’s back and supplanted her affections within the same blood yet to another man. Oh the treachery of women and the feigning nature of love. My love for my mother, despite her actions remains resolute, and thus my comprehension of her actions is as corporeal and tangible as the ether.

I try exhaustively not to blame myself for the indiscretions of my mother, for while she performed those treasonous acts against my father I was off to school. Upon my seventeenth birthday whence the teachers of my kingdom could no longer satiate my appetite for learning and experiences, my father sent me off to school in the warmer lands of Wittenberg. There I studied the more progressive enlightened material of the time, as well as the more barbaric soldiering acts like fencing and hand-to-hand combat. I excelled in all that I attempted in hopes that my father would appreciate my triumphs and recognize my readiness to take the crown upon the proper time. However, in his kingly duties not once did he ever manage to sojourn onto Wittenberg to share in my innumerable accomplishments. Lovingly I understood, but regardless of my father’s habitual absence I continued attempting to impress upon him my endeavors, hoping simply for a kind hug or exultant word.

While in Wittenburg I sought refuge from my family’s disregard in the bosom of many a woman. Control came easily from my lips and fingertips and through Yorick’s diligent training I was able to prescribe upon myself whatever airs to which the women would flock. My inconsistent feelings ebbed and flowed as I moved from one beauty to the next, experimenting often and thoroughly. Fickleness and fun found themselves as partners in my erotic escapades, but when it comes to marriage and the law of God, those rules by which all men shall abide, I hold the morals high upon my esteem. Hence why I’ve yet to take to arm a wife; there is far too much fun to still be had.

My traitorous uncle shares not in respect for the Lord’s vows of marriage though, taking to arm my mother and supplanting himself upon my throne in my absence while I journeyed back to Elsinore. Wouldst he have a true and honorable concern for the well-being of the kingdom, I would not mind this dubious substitution; but the blood that runs through my veins boils at the thought of their incestuous coital relations. For as he sleeps and drinks and dines, the kingdom, in mourning loss of my great sovereign father, has fallen into disarray and severe mismanagement.

Upon returning from Wittenburg for my father’s funeral, I sought company and companionship from a beauteous maiden of Elsinore. At my father’s wake I caught my first glimpse of the fair Ophelia next to her bumbling father, shining brightly as a single pale rose left standing in a bush of thorns. Depression warranting affection, I chased her whole-heartedly to distract my mind from the loss of my father. I showered her with tokens of affection and busied my mind writing sonnets and sweet nothings to impress upon her my love.

But as I have expressed previously, love is fickle and fondness wanes, and the challenge Ophelia presented no longer seemed to reel me in upon the announcement of my mother’s re-marriage. This incestuous bond created through the most vile and conniving of means only serves to convey to me the trite nature of a woman’s love. For if I were to love Ophelia, wouldst she not simply grow weary of my ways and in turn give her love to another? Oh, my confidence in love hath been sucked dry, though I do hope one day to believe in its wondrous graces again. Until then though, I shall mourn the loss of my father and the loss of a love that I never fully knew. I will mourn the treasonous loss of my mother’s love for the good king as well, for she apparently shows no signs of bereavement. And in doing so, I hope to rekindle and redefine the honor and joyousness of love so that one day I might be able to love truly.

Friday, September 26, 2008

UGH.

Hamlet has not crossed my mind once since Monday night. Only now have I thought upon it, and more of it has been plain anxiety over doing the character study than about the play itself.

Monday, September 22, 2008

How Old is Hamlet?





When I read this play before, I always envisioned Hamlet as a young man, probably about my age. Some scholars might believe this is because "Hamlet represents every man," or something completely broad and generic like that. Hamlet's emotions seem to be a bit more irrational than someone of an older age, as he's portrayed in the movies that I've watched, so it's a bit perturbing to see forty-year-old Mel Gibson playing the young prince that I imagine in my mind. As well, the play places young Hamlet as a student in college, away from the kingdom. As well, if he were so old, why would he not assume the throne after the death of his father, rather than his uncle? Things are not really adding up. In the play, there are lines that say that Hamlet is about thirty years old. When delivering his speech about Yorick, he talks of him being dead for about twenty three years, which would mean that Hamlet was about seven when he died. That makes sense, but it doesn't seem to fit with his personality. I would hope that a thirty year old man would be less prone to madness, even despite all that has happened around him.

Friday, September 19, 2008

Awful




Screaming does not drama make.


This is the worst interpretation of this scene that I have ever seen. Hamlet and Gertrude are just running around screaming. Granted it's filmed from the stage, but it seems as though they're OVER acting. I feel as though Hamlet's madness is more contained than this, and certainly with his mother. When reading the play, I see him as aggressive, but not as brash as this interpretation. Gertrude is his mother, and yet there is no intimacy between them -- just unyielding aggression on Hamlet's part.

Sunday, September 14, 2008

The Ghost



In Hamlet, the ghost is what sets the entire story off. Without the ghost, there would be nothing -- Hamlet would simply continue to mourn the loss of his father until eventually, as we all do, he would move on. The scorn for his mother would likely leave a lasting scar, but he would have no cause for revenge; at least, not in the way that so conflicts him throughout the play.

Over the summer I became very interested in the supernatural and ethereal nature of ghost. It's likely from all the DV-Red episodes of Paranormal State that I watched on A&E after Intervention, but nonetheless, seeing these supposedly real people deal with supposedly real hauntings makes me want to believe. Paranormal Sate, in case you have yet to experience its brilliance, is a show where paranormal investigators from Penn State University travel around the country investigating severe hauntings that take place around the country. They research the history of the home and its occupants, host seances, install surveillance within the home, and even rely on the aide of mediums and psychics at times. The show truly entrances you into believing that they make contact with the spirits with whom they're attempting to reach; often times unexplained noises can be heard, thermal-imaging cameras will pick up mysterious hand prints, and even once two light bulbs were hurled across a room and crashed to the floor without any explanation.

From what I have seen of the paranormal through television, it seems as though the only people who remain on earth as ghosts are those with anger problems, a controlling nature, or those who died suddenly, leaving unresolved hurt in their wake. It appears to me that Hamlet's father exhibits ALL of these qualities. He speaks of walking for a determined amount of time through the fires of purgatory during the day due to his previous sins. Hamlets father talks of purgatory in the Catholic sense, yet cannot describe them to his son because he is forbidden to speak to mortals of it.

This long conversation that they have differs from what I will call "real-world" ghost interaction. I feel as though this scene, had it happened for real, would take place in a dream state. The video I posted above was chosen for this, for I believe the clip is edited so that it seems more dream-like than any other interpretation that I've seen. On Paranormal State, spirits speak to people in dreams or quick whispers, not long soliloquies. That, or they don't speak at all. From this, I like to think that Hamlet's father must have a nasty temper to remain so tied to the Earth so that he might see his revenge unfold. Granted, his death was untimely and, as the audience is lead to assume, uncalled for; however, why would the King's spirit be condemned to purgatory if not for other unspoken digressions that transpired during the course of his life.